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Solo Boogie-Woogie Piano

Mr. B

Blues and Boogie-Woogie Standards Plus Original Compositions


Mr. B


Blues and boogie-woogie pianist Mark Lincoln Braun has become one of the premiere purveyors of a vanishing art. Having learned his craft first-hand from the early masters, he is a rare living link to the first generation of blues and boogie pianists. Steeped in the rich legacy of this tremendously exciting music, Mr. B learned directly from blues and boogie legends like Little Brother Montgomery, Boogie Woogie Red, and Blind John Davis. In demand for both educational programs and concert performances, he has performed coast to coast and throughout Europe, Canada, Mexico, and South America. In 2002 he was a guest artist at the Irving S. Gilmore International Keyboard Festival. He is also the organizer of the annual Mr. Bʼs Blues and Boogie Piano Celebration that attracts major figures in the blues and jazz piano world to Ann Arbor for collaborative performances with Mr. B.

Mark Lincoln Braun was born and raised in Flint, Michigan. He gravitated to Ann Arbor in the 70s where the Blind Pig was an important venue for boogie and blues piano. While absorbing the tradition and developing his own approach, Mr. B was also listening to a variety of jazz pianists, especially those with strong blues roots such as Ray Bryant and Horace Silver. This broad range of interests enables him to feel equally at home playing boogie woogie classics with authentic fervor, and expanding the tradition into lively new settings, including jazz orchestra. Today he further promotes his art and breaks down stylistic barriers by frequently collaborating with such world renowned mainstream jazz pianists as Monty Alexander, Henry Butler, Benny Green, Ray Bryant, Sir Charles Thompson, and Junior Mance. He has appeared on numerous National Public Radio broadcasts, including “Mountain Stage,” “Good Evening,” “Our Front Porch,” “The Flea Market,” “At the Bride,” and “All Things Considered.”

Mr. Bʼs many critically acclaimed recordings also demonstrate his breadth and originality. His most recent, for which Mr. B assembled nine noted Ann Arbor-area pianists and benefits youth in the arts and athletics, is “9 Pianists – Our Town, Our Time.” “Live at the Kerrytown Concert House” shows the solo pianist playing original takes on blues and boogie standards while “Joybox” features him stretching out on his own compositions supported by bass and drums. With legendary jazz greats J. C. Heard and Marcus Belgrave, he recorded “Partners in Time.” His recording of trios and duets (“My Sunday Best”) features the renowned be-bop drummer Roy Brooks. Mr. Bʼs collaboration with the 15-piece Bird of Paradise Orchestra (“Hallelujah Train”) has produced an original and explosive blend of boogie, blues, and big band jazz. Most recently he has collaborated in the studio with some of todayʼs premiere blues artists, including John Hammond (“Found True Love”), Duke Robillard (“Dangerous Place”), and Big Bill Morganfield (“Ramblinʼ Mind”) among many others.

Today there are not many devoted to playing boogie and blues piano. Fortunately, Mr. Bʼs passion for showcasing and extending the tradition makes him a major exponent of an essential form of American music. As noted by Jazz News International, “ the future of blues piano is in good hands with Mr. B.”



Digital Files


What Critics Are Saying

“(Mr. B) had the audience from the moment he started playing…”

Jeff Daniels Headshot
Jeff Daniels and Friends, 2008

“Mr. B knows the complete legacy of blues piano. Not many pianists in this style play with more conviction.”

Downbeat Logo

“A young ivory tickler from Michigan endowed with an ageless sense of the artful possibilities of boogie woogie…”

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Utne Reader

“Great variety, the blues from all sides, diversity of mood, texture, and style. Mark Braunhad added something of his own to a great tradition.”

James Dopogny Headshot
James Dapogny, author of “Jelly Roll Morton; the Collected Piano Music”

“Mark Lincoln Braun has developed a very personal style of playing boogie woogie from his wanderings across America to meet such old time performers as Blind John Davis, Little Brother Montgomery, and ‘Champion’ Jack Dupree. There is a noticeable blues inflection in his playing which can be savored. A Left Hand Like God: A History of Boogie Woogie Piano.”

Peter J. Silverster

“…a boogie woogie, jump & blues masterpiece… It’s the blues, it’s bad, and it’s in high fidelity.”

Interview Magazine Logo
Interview Magazine, review: Shining the Pearls

“Mark ‘Mr. B’ Braun put his own imprint firmly on the tradition of blues and boogie woogie piano… on My Sunday Best, the changes in direction serve to literally amaze the listener, taking them through a range of moods and colors that are generally not experienced in such a setting. Truly, in Braun’s hands, musical genres are bent into a pervasive whole, with no regard for anything but the purity of intention and the transference of joyous emotion… — this is musical empathy at its best… This is not just a case of a local boy making good, this is a statement of a world class musician playing for his home-town fans.”

Detroit Metro Times Logo
The Detroit Metro Times, review: My Sunday Best

“B doles out more deep blues… What separates B’s shopworn riffs from those of a thousand other piano players are his patience—he is never in a hurry—and that weird intangible we write off as ‘feel,’ which invest the ancient licks with a kind of slow-motion urgency. Too many bluesers get no further into the style than the surface; B seems to have been rooted in it since tripping across his first flatted third.”

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Keyboard Magazine, review: My Sunday Best


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Mr. B

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